(7:45 AM, St. Eugene's and 7:00 PM, St. Joseph)
Recessional hymn: #204 Immaculate Mary ("Lourdes Hymn")
BMP
I highly doubt we need listen links for the entrance and recessional hymns. ;)
MUSIC FOR HOLY MASS
MUSIC FOR HOLY MASS
MUSIC FOR HOLY MASS
Entrance hymn: #473 Faith of our fathers ("St. Catherine") (Listen)
Gloria: Holy Angels Mass (BMP) (Listen) or recited
Psalm 138: R./ Lord, on the day I called for help, you answered me (PDF)
Alleluia: setting by Dom Anthony Gregory Murray, OSB (Listen)
Offertory hymn: #701 O God, almighty Father ("Gott Vater, Sei Gepriesen") (Listen)
Sanctus, Memorial Acclamation, Amen and Agnus Dei: #'s 874, 875, 878 and 879 respectively Heritage Mass (Owen Alstott)
Hymn during Communion: To you I lift my soul ("Love Unknown")
Meditation hymn: #510 Make me a channel of your peace ("Prayer of St. Francis") (Listen)
- The listen link given here is a nifty arrangement as sung at Westminster Abbey. My accompaniment is based on the listen link version, but a little slower, but not as slow as often heard at most parishes on this side of the lake.
Recessional hymn: #59 Lift up your heads, ye mighty gates ("Truro") (Listen)
Quod scripsi, scripsi!
BMP
"Mary has chosen the better part and it shall not be taken from her."
MUSIC FOR HOLY MASS
Entrance hymn: #576 O God, our help in ages past ("St. Anne") (Listen)
Gloria: Holy Angels Mass (BMP) (Listen) or recited
Psalm 15: R./ He who does justice will live in the presence of the Lord (BMP) (PDF)
Alleluia: setting by Dom Anthony Gregory Murray, OSB (Listen)
Offertory hymn: #667 Jesus, my Lord, my God, my All ("Sweet Sacrament") (Listen)
Sanctus, Memorial Acclamation, Amen and Agnus Dei: #'s 874, 875, 878 and 879 respectively Heritage Mass (Owen Alstott)
Hymn during Communion: Sing, all creation ("Coelites Plaudant")
Meditation hymn: #666 O saving Victim ("Werner") (Listen)
- While the listen link is to the Latin "O Salutaris Hostia", we will sing the verses in English to this tune.
Recessional hymn: #526 Let all things now living ("Ash Grove") (Listen)
- Another revived classic!
Quod scripsi, scripsi!
BMP
MUSIC FOR HOLY MASS
Entrance hymn: #434 Love divine, all loves excelling ("Hyfrydol") (Listen)
- Same tune as "Alleluia! sing to Jesus"
Gloria: Holy Angels Mass (BMP) (Listen) or recited
Psalm 19: R./ Your words, Lord, are spirit and life (BMP) (PDF)
- This is the second of two options given for this Sunday's Psalm.
Alleluia: setting by Dom Anthony Gregory Murray, OSB (Listen)
Offertory hymn: #450 The King of love my shepherd is ("St. Columba") (Listen)
Sanctus, Memorial Acclamation, Amen and Agnus Dei: #'s 874, 875, 878 and 879 respectively Heritage Mass (Owen Alstott)
Responsory during Communion: Ubi caritas (Mode VI/in Mass Guide)
- The meditation hymn after Communion is a translation of the above Latin responsory.
Meditation hymn: #429 Where charity and love prevail ("Christian Love") (Listen)
- Today's Gospel talks about loving God, and each other. This hymn, as well as the Latin counterpart during Communion, echoes those sentiments.
Recessional hymn: #724 Rejoice! the Lord is King ("Darwall's 148th") (Listen)
Quod scripsi, scripsi!
BMP
While we've been in the season known to many as "Ordinary Time" (or to some, perhaps, "Boring Time"), we're finally back to the numbered Sundays of the Year (or more literally, "through the Year", from the Latin "per Annum") after a string of Solemnities throughout June. One might be quick to call it a "return to normalcy" (after the great seasons of Lent, Passiontide and Easter, plus several June solemnities). "Return to normalcy" is the phrase attributed to President Warren Harding in 1920, after our nation going through World War I.
Given the Psalm response, Let all the earth cry out to God with joy, our entrance hymn begins, All people that on earth do dwell, sing to the Lord with cheerful voice..., using the classic hymn tune "Old Hundredth". Ralph Vaughan Williams wrote an arrangement of the hymn for the coronation of Queen Elizabeth in 1953. The first and final verses begin with fanfares that call for "all available trumpets". In writing this, Vaughan Williams was asked to write a short motet for the Coronation. Instead, "If you can persuade the Archbishop to have a hymn in the Coronation serivce," he quipped to the organist of Westminster Abbey, "I'll make a mess-up of 'Old Hundredth.'" (Source)
Speaking of Ralph (or "Raph", rhymes with "safe", depending on who you're talking to) Vaughan Williams, he wrote several other hymn tunes. One of them, "Sine Nomine" (Latin for "Without Name"), is the tune to which we sang last week's entrance hymn, For all the saints.
One one of the several Facebook pages I frequent that are on the topic of church music, some have asked whether or not anyone is doing any "patriotic" music either the weekend before or after Independence Day (July 4, the day I just happen to be writing this post). I opted for this weekend for two reasons: 1) the Fourth falls on a Friday this year, making this weekend a "three-day weekend", and 2) last weekend was the Solemnity of the Apostles Saints Peter and Paul, which took a much higher priority. So, this Sunday we will close with America, the Beautiful.
So, without further ado...
MUSIC FOR HOLY MASS
This Sunday we celebrate the sixth and final in a string of June solemnities that started with Pentecost, followed by Trinity, Corpus Christi, St. John the Baptist, Most Sacred Heart, and now SS. Peter and Paul, which this year for the first time since 2008 falls on a Sunday, and as a subsequence trumps what normally would be the 13th Sunday of the Year.
Like the Nativity of St. John the Baptist (which was last Tuesday), there are two different Masses for SS. Peter and Paul - a Vigil Mass (Saturday) and a Mass of the Day (Sunday), thus the readings (including the Psalm) differ between the two Masses.
That said...
MUSIC FOR HOLY MASS
Entrance hymn: #708 For all the saints ("Sine Nomine") (Listen)
Gloria: Holy Angels Mass (BMP) (Listen) or recited
Psalm 34: R./ The angel of the Lord will rescue those who fear him (Fr. Samuel Weber, OSB)
Alleluia: setting by Dom Anthony Gregory Murray, OSB (Listen)
Offertory hymn: #215 By all your saints still striving ("St. Theodulph"/verses 1, 2 and 13) (Listen)
- Verse 13 is specifically written for the feast of SS. Peter and Paul. The tune is that of the Palm Sunday staple, "All glory, laud and honor".
Sanctus, Memorial Acclamation, Amen and Agnus Dei: #'s 874, 875, 878 and 879 respectively Heritage Mass (Owen Alstott)
Communion responsory: Psalm 19, R./ O Lord, you know all things; you know that I love you, alleluia. (BMP/adapted from "Surgit in Haec Dies")
Meditation hymn: #667 Jesus, my Lord, my God, my All ("Sweet Sacrament") (Listen)
- An old Catholic classic, text written by Fr. Frederick Faber, who is most famous for authoring "Faith of our fathers". At long last, OCP finally included this treasure in the Breaking Bread hymnal.
Recessional hymn: Ye watchers and ye holy ones ("Lasst uns Erfreuen") (Listen)
Happy feast!
Quod scripsi, scripsi!
BMP
I think I might have mentioned this bit of trivia that might be useless to some while others might remember, and had I not been experienced with the Extraordinary Form of the Mass (1962 Missal Traditional Latin Mass) at Holy Name in Providence, I might have never known either, but until the promulgation of the 1969 Missal (Ordinary Form of the Mass), Corpus Christi (the Body of Christ) and the Most Precious Blood were two seperate feasts. In fact, Corpus Christi wasn't even on a Sunday back then, although some churches who do celebrate the Extraordinary Form will celebrate Corpus Christi on a Sunday as an "external solemnity".
Until 1969, Corpus Christi was celebrated on the Thursday after Trinity Sunday, thus the following Sunday was simply the Second Sunday after Pentecost. Thus, Corpus Christi was (and still is) a moveable feast that depends on the date of Easter. The Most Precious Blood, however, was celebrated on the fixed date of July 1.
Since 1969, Corpus Christi has been celebrated on the Sunday after Trinity Sunday (or the Second Sunday after Pentecost), and the Most Precious Blood removed from the liturgical calendar, thus the new name for this Sunday given in recent years, the Most Holy Body and Blood of Christ. Interestingly enough, the 1974 Roman Gradual lists the Most Holy Body and Blood of Christ as the Thursday after Trinity. Turns out that, yes, it's on a Sunday in this country, but in many other countries, it's still on the Thursday.
That said, we will be singing Eucharistic-themed hymns today. Even Alleluia! sing to Jesus! has a Eucharistic theme going in verses 3 and 4 with lines like "Alleluia! Bread of Angels, thou on earth our food, our stay" (verse 3), and "Thou on earth both Priest and Victim in the Eucharistic Feast" (verse 4). Oh, and let's not forget verse 1, which ends "Jesus, out of every nation hath redeemed us by his Blood."
The recessional hymn is Holy God, we praise thy Name. While the verses given don't mention the Eucharist particularly, this is the hymn that is customarily sung at many a Eucharistic Benediction as the Blessed Sacrament returns to the Tabernacle. You'll find this in the inside back cover of the Breaking Bread hymnal. However, the third verse (not found in the back cover, but in the hymn section) ends with "And adoring bend the knee while we own the Mystery!"
And now, without further ado...
MUSIC FOR HOLY MASS
Entrance hymn: #714 Alleluia! sing to Jesus ("Hyfrydol") (Listen)
Gloria: Holy Angels Mass (BMP) (Listen) or recited
Psalm 110: You are a priest for ever, in the line of Melchizedek (BMP) (PDF)
Sequence: Lo! the angel's food is given (Mode V)
- NOTE: This is the short form, the last four verses of a much longer sequence, "Laud, O Sion, thy salvation" (which is 24 verses). Thankfully (for many, I'm sure) the short form is an option. In 1962 it was not! In fact, since 1969, the sequence for this day is optional. Before that, it was required!
Alleluia: setting by Dom Anthony Gregory Murray, OSB (Listen)
Quod scripsi, scripsi!
BMP
The second of a series of six June solemnities, four of which fall on a Sunday this year.
Today's hymns, of course, focus on exactly what this Sunday is - the Most Holy Trinity.
Enough said there. And so...
MUSIC FOR HOLY MASS
Entrance hymn: #215 Holy, holy, holy ("Nicaea") (Listen)
- I doubt we need a listen link, but the arrangement in this one is nifty.
Gloria: Holy Angels Mass (BMP) (Listen) or recited
Psalm 8: R./ O Lord, our God, how wonderful your Name in all the earth (Fr. Samuel Weber, OSB)
Alleluia: setting by Dom Anthony Gregory Murray, OSB (Listen)
- This will be the Alleluia for the remainder of June and the entire month of July. The listen link here gives a really cool extra fanfare by Rene Livron. The part we will be singing ends at the 27-second mark. We won't make you sing the extra fanfares (in the words of Timon and Pumbaa, "Hakuna Mutata!") ;)
Offertory hymn: #701 O God, almighty Father ("Gott Vater, Sei Gepriesen") (Listen)
Sanctus, Memorial Acclamation, Amen and Agnus Dei: #'s 874, 875, 878 and 879 respectively Heritage Mass (Owen Alstott)
Communion responsory: Tobit 12 and 13, R./ Let us bless the God of heaven (BMP) (PDF)
Meditation hymn: #698 Come now, almighty King (Listen)
- Like "O God, almighty Father", each verse addresses each Person of the Trinity in order. The fourth verse addresses the entire Trinity here (in the Offertory, that's addressed in the refrain).
Recessional hymn: #206 Holy God, we praise thy Name ("Grosser Gott") (Listen)
O most holy Trinity, undivided Unity, holy God, mighty God, God immortal, be adored!
Quod scripsi, scripsi!
BMP
This weekend we finish off the Easter Season with the Solemnity of Pentecost, the first in a series of solemnities taking place in the month of June, a month dedicated to the Most Sacred Heart of Jesus. The series goes like this:
June 8 (this Sunday): Pentecost, traditionally known as "Whitsunday"
June 15 (next Sunday): The Most Holy Trinity
June 22: The Most Holy Body and Blood of Christ, traditionally known as "Corpus Christi"
June 24: The Nativity of Saint John the Baptist (not a holyday of obligation, but still a solemnity)
June 27: The Most Sacred Heart of Jesus (always the Friday after Corpus Christi Sunday)
June 29: Saints Peter and Paul (trumps what normally would be Sunday XIII through the Year)
The Memorial of the Blessed Virgin Mary, Mother of the Church, is always the day after Pentecost. The Memorial of the Immaculate Heart of Mary is always the day after the Most Sacred Heart of Jesus, this year falling on June 28.
On this weekend, the Solemnity of Pentecost, the Saturday Mass is the Vigil of Pentecost, with its own set of readings and propers. There is an Extended Vigil and a Short Vigil. The Extended Vigil has four Old Testament readings plus Epistle and Gospel. Like the seven Old Testament readings in the Easter Vigil, each reading the Extended Vigil of Pentecost has its own Responsorial Psalm attached to it. In the Short Vigil, only the usual three readings (First, Second and Gospel) are read. Any one of the four Old Testament readings may be chosen for the First Reading. The Psalm is that attached to the fourth Old Testament reading, that is, Lord, send out your Spirit, and renew the face of the earth (Psalm 104).
There is also a Sequence that is chanted on Sunday (required), but omitted on Saturday.
MUSIC FOR HOLY MASS
For my opening remarks, here is a bulletin blurb I had room for at my other parish (Sacred Heart in West Warwick). I have made some adaptations to fit St. Eugene's.
While we are still in Easter Season until next Sunday, we are in the Sunday traditionally known as the Sunday in the Octave of Ascension (yes, until 1969, Ascension, like Easter and Christmas, had an octave).
Looking at our entrance hymn, Alleluia! Sing to Jesus (#714), the first line of the first verse finishes, "His the scepter, his the throne", and the second line of the fourth verse finishes, "Earth thy footstool, heav'n thy throne" (pointing to our Lord's Ascension). The second verse begins, "Alleluia! not as orphans are we left in sorrow now." This is cited in the Alleluia verse which precedes today's Gospel.
Speaking of today's Gospel, here we learn that Jesus prayed to the Father "that all may be one as we are one." Our offertory hymn of the day, Lord, who at thy first Eucharist (#372), makes his petition known, "Lord, who at thy first Eucharist didst pray that all thy Church might be for ever one..." The Communion antiphon (almost halfway down page 168) cites that same passage.
Our meditation hymn Be Joyful, Mary (#191), a translation of Regina Caeli, as some may know, is the Marian antiphon for the Easter season.
Finally, our recessional hymn is the very standard Ascension hymn, Hail the day that sees him rise (#197).
Going back to Alleluia! Sing to Jesus, I am happy that ALL the verses are finally included in the Breaking Bread hymnal. Verses 2 and 3, which were omitted for years until recently, are verses that really serve a purpose -- Verse 2 for reasons I mentioned above, and Verse 3 for feasts like Corpus Christi (which will be celebrated in three weeks) and other Eucharistic themes.
And now, without further ado...
MUSIC FOR HOLY MASS
Today's entrance hymn actually blends well with the Introit (or "Entrance Antiphon") of the day. While the Introit itself is from Isaiah, there is a verse in the Graduale Romanum that is the beginning of Psalm 66 (usually not included in the Roman Missal, but is in the Gradual), and begins pretty much the same as Psalm 100, on which today's entrance hymn comes from:
Introit verse: Shout joyfully to God, all the earth; sing a psalm to his Name; praise him with magnificence.
Refrain of entrance hymn: All the earth proclaim the Lord; sing your praise to God.
Some may recognize the entrance hymn refrain, probably if you remember having Monthly Missalette, We Celebrate, or People's Mass Book in the pew.
The Communion hymn I will be singing while you receive is another Marian hymn for this final Sunday in May - Concordi laetitia, Latin for Sounds of joy have put to flight.
The remaining hymns are seasonal hymns for Easter, as we are still in this joyful season.
And now...
MUSIC FOR HOLY MASS
In light of the election of Pope Leo XIV, last Sunday's postlude was Long live the Pope. I really wish this would be in more hymnals.
Hymnody for this Sunday's 8:00 Mass will be of a seasonal nature for Easter.
MUSIC FOR HOLY MASS
MUSIC FOR HOLY MASS
C'est le mois de Marie, French for This is the month of Mary, was a hymn often heard in churches in Woonsocket, including Precious Blood (where I was music director for eight years). Each Sunday in May there will be at least one hymn or motet dedicated to Mary. These may be lesser-known and will be sung during Communion, but Mary-themed just the same.
This week's Communion is Daily, daily, sing to Mary. The tune is "Omni Die Dic Mariae", also known in German as "Alle Tage Sing und Sage", which is used in most American hymnals that include Daily, daily. I will be singing the verses in English in alternation with verses in Latin. In the United Kingdom, there is a tune simply titled "Daily, Daily", which is used for the same hymn. I will improvise on that tune as part of the prelude and postlude at both Masses this weekend.
Last Sunday before Mass we rehearsed two short acclamations: the Memorial Acclamation We proclaim your death, O Lord and the Amen. These are adapted from a Mass setting published in Italy in 1938, Missa Cristo Risusciti, based on an Italian hymn of the same name. The tune is known in most hymnals here by its German title, Christ ist erstanden and is found in the Breaking Bread hymnal at #173 with the hymn Christ the Lord is ris'n again. It should also be noted that at the time this Mass setting was published, there was no such thing as a "Memorial Acclamation" nor big triple Amen or "Great Amen", so I made this adaptation a few years ago for my other parish and took the liberty of bringing them here.
That said...
MUSIC FOR HOLY MASS
Here is the explanation to all those names for this Sunday within the Octave of Easter as I posted last year for Sacred Heart Church in West Warwick (where I play a 5 PM Saturday Mass and a 10 AM Sunday Mass), followed by an explanation of the hymns of the day from the same post, adapted for St. Eugene's.
WHAT’S IN A NAME?
This Second Sunday of Easter, the eighth day of the Easter Octave, is traditionally known as “Low Sunday.” The origin of the name is unknown, but is meant to contrast between that first and final days of the Octave, between the high feast of Easter Sunday (and its Great Vigil) and the finale (Low Sunday) (source: newadvent.org).
Another name traditionally given is “Quasimodo Sunday,” after the first word of the Introit in Latin: “Quasi modo geniti infantes, rationabile, sine dolo lac concupiscite” (Like newborn babes, crave for pure spiritual milk). Incidentally, the names “Gaudete Sunday” (for the Third Sunday of Advent) and “Laetare Sunday” (for the Fourth Sunday of Lent) are also after their respective Introits’ first words, both meaning “Rejoice.” (The lead character in The Hunchback of Notre Dame, incidentally, is reported to be named after this day, as it is the day Frollo found him abandoned at the Cathedral of Notre Dame in Paris.)
Today we name this day “Divine Mercy Sunday,” as decreed by Pope John Paul II in 2000 upon the canonization of St. Faustina Kowalska, who had received revelations from Our Lord Jesus Christ on the Divine Mercy (source: ewtn.com).
THREE SONGS OF THOMAS
In today’s Gospel, the Apostles revealed to Thomas, “We have seen the Lord.” Thomas replied that he will not believe it until he has put his finger into the nail marks or touch his hands or his side. Jesus replied, “You believe in me, Thomas, because you have seen me! Blessed are those who have not seen me but still believe!” (also repeated in today’s Alleluia verse). Three of today’s hymns reflect this.
Ye sons and daughters (Breaking Bread hymnal, #184) – At the Offertory, we will skip the first three verses today and go right to the Gospel allusion, which begins with verse 4, which directly depicts the scene I mention in the above paragraph (which goes from verses 4 through 8).
Godhead here in hiding (Breaking Bread, #370) – This hymn, which will be sung during Communion, has a couple of allusions. I call your attention to a couple of verses in particular, verses 2 and 4:
Incidentally, the hymn text in Latin comes from another Thomas, that is, St. Thomas Aquinas (1225-1274), author of several Eucharistic hymns, including the beloved Tantum Ergo.
We Walk by Faith and Not by Sight (Breaking Bread, #483) – The title here is self-explanatory. Here, while not calling out Thomas directly, we still “call out” his doubt in singing these words (Verses 1 and 2 are as follows):
This is our recessional hymn today, which will be sung to the more familiar tune, “St. Anne,” most commonly used with the hymn, O God, Our Help in Ages Past (instead of the tune in the hymnal). The author is Henry Alford, who also gave us the beloved Thanksgiving hymn, Come, Ye Thankful People, Come.
And now, without further ado...
MUSIC FOR HOLY MASS
April 20 - Easter Sunday of the Resurrection of the Lord (10 AM)
Entrance hymn: #177 Alleluia, alleluia! Let the holy anthem rise ("Holy Anthem") (Listen)
Gloria: Holy Angels Mass (BMP) (Listen)
Psalm 118: This is the day the Lord has made... (Owen Alstott)
Sequence: Christians, to the Paschal Victim (Mode I)
Alleluia "O Filii" (Mode II/BMP) (PDF)
Rite of Sprinkling: Vidi Aquam (from the Liber Cantualis, 1983)
Offertory hymn: #176 The day of Resurrection ("Ellacombe") (Listen)
Sanctus through Agnus: Heritage Mass (Owen Alstott)
Responsory during Communion: Psalm 118, Christ our Pasch... (BMP) (PDF)
Meditation hymn: #191 Be joyful, Mary, heav'nly Queen ("Regina Caeli, Jubila")
- Throughout the year, there is what is known as a Marian Antiphon. From Advent until the Presentation of the Lord (February 2), the antiphon is "Alma Redemptoris Mater". From February 2 and throughout Lent, it is "Ave Regina Caelorum". Throughout Easter season, the antiphon is "Regina Caeli", from which "Be joyful, Mary" is translated. Finally, from the day after Pentecost to the last day before Advent, it is "Salve Regina". "Be joyful, Mary" will be our meditation hymn throughout Eastertide, including Pentecost.
Recessional hymn: #194 Jesus Christ is ris'n today ("Easter Hymn") (Listen)
Happy and blessed Easter!
Quod scripsi, scripsi! (What I have written, I have written! ~ P. Pilate, according to St. John)
BMP
April 9 - Parish Mission (7:00 PM)
Theme: The Passion and Death of Our Lord Jesus Christ
MUSIC FOR HOLY MASS
Stations of the Cross (Fridays in Lent at 6:30 PM)
Entrance hymn: #159 O sacred Head surrounded ("Passion Chorale")
For each station: the aforementioned Stabat Mater verses in English provided in the Stations booklet
Recessional hymn: #705 Lift high the cross ("Crucifer") (Listen)
- Should be familiar, but I think the organ fanfare at the beginning in this link is quite nifty.
April 13 - Palm Sunday of the Passion of the Lord (8:00 AM)
I'm always amazed at the mood change within the Palm Sunday Mass. We begin with the Lord's triumphant entry into Jerusalem. There will be a prelude, and the liturgy begins with the blessing of the palms, the palms that were touted by the people that welcomed Christ the King. The triumphant hymn to Christ the King, All glory, laud and honor, is sung. But then (thud!) The mood swings from triumphant to solemn and somber. We now go from the Lord's triumphant entry into Jerusalem to his Passion and death. And hymns range from O sacred Head to Were you there to Sing my tongue ("Sweet the nails and sweet the wood, laden with so sweet a load!" sings verse 2, describing the Cross of Christ).
MUSIC FOR HOLY MASS
This Sunday, the Fourth Sunday of Lent, is also known as "Laetare Sunday". "Laetare" is one of two Latin words used in the liturgical calendar that mean "Rejoice". The other is "Gaudete", which falls on the Third Sunday of Advent. As I mentioned in an earlier post, there are no organ preludes or postludes during Lent except for Solemnities (e.g. St. Joseph's Day, Annunciation) or Laetare Sunday. Therefore, we will have prelude and postlude before and after Mass this weekend only. After that, no further prelude until Easter Sunday and no further postlude until the Easter Vigil.
The Gospel this weekend speaks of the prodigal son, who wanted his share of his inheritance, then took off and squandered it. Our entrance hymn, Amazing grace ("I once was lost but now am found..."), reflects that. In addition, if the OCIA Second Scrutiny takes place this weekend, the readings for Year A are read instead (we're normally in Year C this year), and the Gospel is about the man born blind, thus another fit for Amazing Grace ("...was blind, but now I see!").
The hymns will remain the same regardless of which readings are read, but the Psalm following the first reading will differ.
Stations of the Cross (Fridays in Lent at 6:30 PM)
Entrance hymn: #141 The glory of these forty days ("Erhalt uns, Herr") (Listen)
For each station: the aforementioned Stabat Mater verses in English provided in the Stations booklet
Recessional hymn: #705 Lift high the cross ("Crucifer") (Listen)
- Should be familiar, but I think the organ fanfare at the beginning in this link is quite nifty.
March 30 - Fourth Sunday of Lent (Laetare Sunday) (8:00 AM)
MUSIC FOR HOLY MASS
If you remember in last week's post, we discussed the interchangeablilty of hymn tunes. As you will see, two hymns within these lists carry the exact same tune: The glory of these forty days (Entrance hymn for Stations this Friday) and Take up your cross (Meditation hymn for this Sunday). The tune here is "Erhalt uns, Herr".
By the way, for those curious, the title given in quotes and parentheses is the name of the tune. When singing from the Breaking Bread hymnal, you will find the tune name on the top right corner of the hymn - that is, for traditional hymnody like that we normally sing at 8:00 Mass. The meter (the number of syllables in each line) is given at the bottom at the beginning of the "Text" credits. Ah yes, another new term: Text. Where in most secular music and contemporary pieces you have Lyrics and Music, in standard hymnody you have Text and Tune.
And remember the acronymns I mentioned last week as well: in the case of the two "Erhalt uns, Herr" hymns, the meter is given as "LM", that is, "long meter" or 88 88. In the case of this Sunday's recessional hymn, the tune being "St. Flavian", the meter is given as "CM", that is, "common meter" or 86 86. The rest of the hymn meters for the hymns listed here are numeric.
Stations of the Cross (Fridays in Lent at 6:30 PM)
Entrance hymn: #141 The glory of these forty days ("Erhalt uns, Herr") (Listen)
For each station: the aforementioned Stabat Mater verses in English provided in the Stations booklet
Recessional hymn: #705 Lift high the cross ("Crucifer") (Listen)
- Should be familiar, but I think the organ fanfare at the beginning in this link is quite nifty.
MUSIC FOR HOLY MASS
Inspired by conversation...
Back in December, a parishioner at my other church approached me with a liturgical question about memorial acclamations and I was inspired to post something on my music blog for that church.
Last Sunday, thanks to a post-Mass conversation with Fr. Dandeneau, I have a conversation-inspired topic here as well. We got talking about hymn tunes. Father had recognized the tune Kingsfold, which was our offertory last Sunday, but normally used with the hymn I heard the voice of Jesus say, except we used the Lenten-themed text, Led by the Spirit. One of the things I mentioned is the beauty of many traditional hymn tunes - that is, they are interchangeable. All one has to do is look at the credits at the bottom of most traditional hymns. There you will find the acronymns SM, CM or LM, or what looks to be a random set of numbers. That is what's known as a meter, not a timing meter like 4/4, 3/4 or 6/8, but a poetic meter. These tell you how many syllables are in each line of the hymn. Many hardbound hymnals have a "metrical index" which leads you to such tunes.
As for the acronym meters: SM is short meter (or 66 86, that is, a pair of six-syllable lines, then a pair that goes eight syllables, then six syllables). Our entrance hymn this Sunday, 'Tis good, Lord, to be here, has such a meter. As you'll notice when we sing this, the verses are quite short. CM is common meter (or 86 86). Our meditation and recessional hymns last Sunday, Shepherd of souls and Lord, who throughout these forty days, is such a meter. Finally there is LM, which is long meter (or 88 88) which you'll see in our recessional hymn this Sunday, The glory of these forty days.
Other hymns will have such meters as 87 87 or 76 76. Often meters will have a D (which stands for "Double") at the end of the meter, meaning the syllable count is rendered twice. Such cases include Led by the Spirit, which is CMD (common meter double), or 86 86 D (a short way of saying 86 86 86 86).
The point of showing the poetic meters of hymns is to show that many tunes are interchangeable. For example, the aforementioned Shepherd of souls and Lord, who throughout these forty days could be very easily sung to each other's tunes without making the text sound awkward. The Breaking Bread hymnal has at least four hymns set to the tune Hymn to Joy. The four I know of are Joyful, joyful, we adore thee, Praise the Lord, ye heav'ns, adore him, Sing with all the saints in glory, and Alleluia, alleluia! Hearts to heav'n and voices raise. Because they all have the meter 87 87 D, they could also easily be sung to the tunes for Alleluia! sing to Jesus (the tune is Hyfrydol) and Sing of Mary, pure and lowly (the tune is Pleading Savior).
Remember Omer Westendorf?
Last month in a post, I mentioned a hymn author named Omer Westendorf (who in the 60s and early 70s used three different aliases in his author credit). This Sunday's offertory hymn, Beautiful Savior, is sung to the tune St. Elizabeth. Beautiful Savior was actually the second hymn I learned to this tune as a child, after growing up with good old Monthly Missalette and an Omer Westendorf-penned hymn, God's blessing sends us forth, which appeared with his alias "J. Clifford Evers". While the meters are not the same, both hymns scan well to that tune. Incidentally, between the two texts (Beautiful Savior and God's blessing sends us forth), Beautiful Savior was actually first by about a century, while the German it was translated from was even two centuries before that!
And now, withoug further ado...
Stations of the Cross (Fridays in Lent at 6:30 PM)
Entrance hymn: #132 Forty days and forty nights ("Heinlein") (Listen)
For each station: the aforementioned Stabat Mater verses in English provided in the Stations booklet
Recessional hymn: #705 Lift high the cross ("Crucifer")
MUSIC FOR HOLY MASS
This Friday (August 15) is a holyday of obligation, the Assumption of the Blessed Virgin Mary. I am happy to announce that I will be your o...